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20 - 22 December 2024: ‘Simply buy art’, Artothek Hanover, Städtische Galerie Kubus, Theodor-Lessing-Platz 2, Hanover
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16 January - 22 February: ‘Mondrian mon Amour’, artnow Gallery, Rheingaustraße 19, 12161 Berlin
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30 April - 4 May: ‘Honigschleuder’, Lichtschutzbunker, Weidendamm 44b, Hanover
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09 May - 22 June: ‘Heiter bis wolkig’, group exhibition at Schloss Landestrost, Schloßstraße 1, 31535 Neustadt am Rübenberge, Germany
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10 May - 11 May, 10 am - 6 pm: Double exhibition with Anna Beller as part of the Hanover region's ‘Ateliersparziergang 2025’, ‘Style Hannover e.V.’, Schwarzer Bär 4 (above REWE), Hanover
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20 June - 13 July ‘Ihme perspectives’, group exhibition of the ‘Unposed Society Hannover’, Kunstraum J3FM, Kollenrodtstraße 58b, 30161 Hannover
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25 July - 31 August: ‘Man sieht sich zweimal’, double exhibition with Michael Hennigs, Schloss Landestrost, Schloßstraße 1, 31535 Neustadt am Rübenberge. Artist talk on 17 July, 3 pm
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31 August - 1 September: ‘N.N.’, group exhibition as part of the 27th Zinnober, ℅ ‘Art Connecting’, Dieterichsstr. 24, 30159 Hanover
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November 2025: Vernissage of the photo project: ‘Hannover - (m)eine neue Heimat? Approach through street and portrait photography. An integration course embarks on a photographic journey.’, ISK, Lützowstraße 7, 0159 Hanover
Hidden connections
Minimal City
People in urban landscapes
Juxta Positions
Mirrored figures
Guido Klumpe
German photographer Guido Klumpe’s work includes abstract, minimalist, and street photography. Born with a severe congenital visual impairment, he perceives the world differently.
Guido sees cities as urban landscapes, landscapes consisting of shapes, colors, light and reflections. He uses perspective, a particular point of view, and the poetry of chance in the old tradition of street photography, to create his compositions. This way, he creates a “stage” in which passers-by act as protagonists. His work highlights the mystery and absurdity of urban spaces while simultaneously revealing its hidden beauty.
In his work, he investigates how we perceive dimensionality and is particularly interested in the moment of transition, when by reducing the optical reference points, three-dimensional architecture dissolves into a two-dimensional plane, lending many of his images an almost painterly quality. Considerations that arise during this process include the importance of information that helps establish a distinction between the foreground and background, and the type and number of objects involved.
Guido’s work has won numerous international awards, has been widely published, and is included in many solo and group exhibitions throughout Europe.
